In 2008 Piratbyrån published a report titled Piratbyrån – The Bureau of Piracy Activities 2007 which starts with the following description of the organisation: Piratbyrån (The Bureau of Piracy) is not an organization, at least not primarily. First and foremost, Piratbyrån is since its beginning in 2003 an ongoing conversation. We are reflecting over questions regarding copying, information infrastructure and digital culture. Within the group, using our own different experiences and skills, as in our daily encounters with other people. These conversations often bring about different kinds of activities.

Definition by Prix Ars Electronica jury

As Piratbyrån received an “award of distinction” at Prix Ars Electronica in 2009,[9][10] the jury statement said: Piratbyrån is not an organization but an on-going conversation on copyright, file-sharing and digital culture. Over the last six years Piratbyrån has been able to create a discursive space that enables individual and collective actors to be heard, and to significantly expand the range of opinions entering the public debate regarding copyright. To advance this conversation, they have been using a wide range of innovative, experimental, often humorous techniques – as well as traditional means such as public discussions, interviews and publications. The resulting debate has been multi-layered ranging from the technological (e.g. The Pirate Bay) to the artistic (e.g. a bus tour through Europe to Manifesta 08) to the political (e.g. Pirate Party). With very limited resources, Piratbyrån has been able to galvanize a political movement that has already shaped the development of digital culture and public policy in Sweden and across Europe, pushing the boundaries of the possible. Piratbyrån aims at nothing less than to fundamentally question the most basic categories – e.g. the distinction between the producer and the consumer – through which we understand culture in order to investigate if and how these apply to the digital condition. Piratbyrån does not claim to offer a solution to this extremely complex issue; indeed, it questions the assumption that copyright offers a one-size-fits all solution to cultural production, which now needs to be replaced with another unified solution. All of this has been done with great dedication and under considerable personal risk, yet they never forget that humor and irony are among the strongest weapons available to cultural producers.— [11Members of Piratbyrån founded the BitTorrent tracker The Pirate Bay in 2003 as a Swedish language site. The Pirate Bay now operates independently from Piratbyrån, although a number of The Pirate Bay administrators were also active in Piratbyrån.[12][13]

Police raid

On the morning of 31 May 2006, the servers of both The Pirate Bay, a popular Swedish BitTorrent tracker, and Piratbyrån were confiscated in a raid by Swedish police. The seizure was part of investigation into possible illegal activities on the part of The Pirate Bay. Piratbyrån and the Antipiratbyrån set up a temporary news blog during the investigation.[14][15]

Activities in 2007

In Piratbyrån – The Bureau of Piracy Activities 2007, published in 2008, Piratbyrån list its activities for the year 2007. Activities by Piratbyrån members include lectures at universities and conferences, the publication of reports, participation in art projects and research projects, an interview with Vanity Fair in February 2007, participation in the planning of The Oil of the 21st Century conference in Berlin, presentations at a Norwegian computer party (The Gathering), interviews to the media regarding the raid on The Pirate Bay, opening of a webshop to sell Kopimi Klothing, participation in the organisation of protests to mark the one-year anniversary of the police raid on The Pirate Bay, attendance of the BELEF07 festival in Belgrade (Serbia), and participation in the organisation of a one-day art event in Stockholm titled “Who Makes And Owns Your Work”.[8] In March 2007 Piratbyrån members were invited to a meeting with the executive group for the Swedish Film Institute, to share their views about film and copying. According to Piratbyrån “The leadership listens with interest — only to some months later launch new anti-piracy initiatives…”. In the same month Piratbyrån collaborates with the Norwegian group Piratgruppen, launching the counter-campaign “Piracy frees music” (promoted via The Pirate Bay), in response to the “Piracy kills music” anti-piracy campaign by the Norwegian record industry.[8] In 2007 members of Piratbyrån also contributed to the production of the film Steal This Film (Part Two), which features interviews with Piratbyrån members and was released in December 2007.[8]